Photography does not include a meticulous study of technicalities, but constant questioning.

Photographers are never satisfied with the world; there is always an unearthing burst of indignation.It is a supplementary medium to represent narratives unorthodox of the secondary education systems; it serves as a reflection of my perennial research what it means to be a Pilipina in the United States, a hyphenated identity that has been largely misconstrued as complacent model minorities.

 

​

​

​

​

It would be a sacrilege to redact the salience of the my heritage’s role in my opus because the obvious fact of being Filipina impacts every facet of my life in the United States. The power of photography mimics the power of literature because it can be an extension of dis-conformity and rebellion. Photography convergences history and heritage, transcending as the language of the marginalized and suppressed.